We Shoot Across Ireland & the UK

Adare's thatched cottages and manor parkland make it one of the most photographed villages in Ireland, and we shoot it the way it deserves: unhurried, with real attention to the light.

Adare Manor · Dunraven Arms Hotel +1 more

Athlone sits on the Shannon at the centre of the country, and we lean into that: lake-house weddings with golden water light that's hard to find inland anywhere else in Ireland.

Glasson Lakehouse · Hodson Bay Hotel +1 more

Cobh's coloured terraces and harbour views make for a wedding film that photographs like nowhere else in Cork: a cathedral spire, a working port, and the Atlantic right behind it.

Cobh Cathedral · Sirius Arts Centre +1 more

Cork's coastline and walled gardens give our cameras soft, painterly light most of the year. It's a favourite for couples who want their wedding film to feel unhurried.

Ballymaloe House · Castle Hyde +1 more

Dingle is as far west as a wedding film gets in Ireland, and the peninsula's cliffs and beaches reward couples who build in time for a proper golden hour session.

Dingle Skellig Hotel · Benners Hotel +1 more

From the Georgian doorways of Merrion Square to the wild Wicklow coastline an hour south, Dublin gives us two completely different films in one wedding day.

Cliff at Lyons · Clontarf Castle +1 more

Galway weddings tend to spill outdoors: stone walls, Atlantic light, and a session that runs long into the evening. We shoot for that energy, not against it.

Glenlo Abbey · Ashford Castle +1 more

Kilkenny's stone-walled estates give us texture other counties can't: ivy, slate, and long gravel avenues that make for some of our favourite arrival shots in Ireland.

Mount Juliet Estate · Lyrath Estate +1 more

Killarney is the only place we shoot weddings with mountains as a third character in every frame. Lakes, woodland, and Kerry light do most of the work for us here.

Killarney Oaks Hotel · The Brehon +1 more

Limerick sits at the gateway to the Shannon Estuary, with castle weddings on one side and riverside light on the other. We build coverage that uses both within a single day.

Dromoland Castle · Castle Oaks House Hotel +1 more

Sligo's Yeats country gives us mountains, forest, and coastline within twenty minutes of each other. It's one of the most visually varied counties we shoot in all year.

Markree Castle · Cromleach Lodge +1 more

Waterford's harbour light and Norman architecture make for a wedding film with real contrast: formal stonework against open water, often in the same afternoon.

Waterford Castle · Faithlegg House +1 more

Westport pairs a Georgian town with Clew Bay on its doorstep, so we build coverage around two completely different backdrops: formal streets, then open Atlantic coastline by evening.

Westport House · Knockranny House Hotel +1 more

Belfast pairs grand civic architecture with a coastline twenty minutes away. We routinely shoot both in the same day for couples chasing variety in their film.

Culloden Estate · Galgorm Resort +1 more

Birmingham's canalside venues and civic architecture give us an editorial backdrop most UK cities can't match. We shoot it for contrast: brick, water, and city light.

Birmingham Town Hall · Eastside Rooms +1 more

Cambridge's riverside colleges and punting light give us a wedding film with a genuinely different rhythm: slower, quieter, built around water and stone.

Trinity College · Magdalene College +1 more

Cardiff pairs a working castle with a modern bay, so we build coverage that uses both: formal grounds in daylight, waterfront light by evening.

Cardiff Castle · St David's Hotel +1 more

Edinburgh's skyline does half the work for us. We build coverage around the city's light: long golden evenings in summer, dramatic low light the rest of the year.

The Balmoral · Dalhousie Castle +1 more

Glasgow's Victorian sandstone and West End architecture give us a wedding film with real weight and texture, especially in the low northern light from autumn through spring.

Glasgow City Chambers · Oran Mor +1 more

Liverpool's docks and Georgian quarter give our cameras real range in one day: maritime grit in the morning, formal architecture by the reception.

Titanic Hotel Liverpool · Liverpool Cathedral +1 more

London couples often book us for the contrast: a formal city ceremony followed by a reception that turns properly loose. We film both halves with the same eye.

Ham Yard Hotel · Fulham Palace +1 more

Manchester's industrial venues call for a different visual language: more contrast, more shadow. It's some of our favourite reception coverage anywhere.

Victoria Warehouse · Old Trafford +1 more

Newry sits between the Mournes and Carlingford Lough, and we use both: mountain backdrops for portraits, water light for the reception coverage.

Canal Court Hotel · Slieve Donard Resort & Spa +1 more

Oxford's college quads and spires are some of the most demanding architecture we shoot, and some of the most rewarding: every angle gives us something a standard venue can't.

Oxford Town Hall · Ashmolean Museum +1 more