The tools behind every gallery
Cameras, lenses, lighting, and a color lab chosen for one reason: to get out of the way of the day itself.
Six lenses, one job each
No zoom does everything well. We carry a focal length for every distance a wedding day actually happens at.
f/2.8
Walkaround zoom
Ceremony and reception coverage when the room won't let you choose a focal length twice.
f/1.4
Wide reportage
Getting-ready rooms, venue scene-setting, and anywhere the space is part of the story.
f/1.2
Natural perspective
Available-light portraits that look the way the room actually felt.
f/1.4
Classic compression
Ceremony close-ups and portraits with the soft, separated look people ask for by name.
f/2.8 Macro
Detail work
Rings, invitations, florals: the small things that disappear if no one shoots them properly.
f/2.8
Telephoto
Discreet, long-range ceremony coverage from the back of the room, never in anyone's eyeline.
Every frame passes through the same pipeline
Consistent software, consistent color science, every gallery and film, so a wedding shot in January looks like one shot in June.
Adobe Lightroom
Culling & color-consistent gallery editing
Adobe Photoshop
Detail retouching & composites
DaVinci Resolve
Cinema-grade color grading for films
Adobe Premiere Pro
Wedding film editing & assembly
Adobe After Effects
Motion graphics & title sequences
Apple Final Cut Pro
On-location rough cuts & highlight reels
Curious what we'd bring to your day?
Every kit is scoped to the venue, the light, and the timeline — tell us about your day and we'll talk through it.
Next
Meet the people behind the kit